I’d like to quote a post from my education blog. The full post can be found here.
I was in the HFAC (at BYU) the other day admiring an exhibit on drawing. At one point, I came across one of those labels that tells you about the art work. It was describing how a knowledge of anatomy contributes to drawing the human figure, stating something to this effect: knowing what is under skin helps you to understand what you see on the skin. In other words, having a knowledge of what is underneath the surface of what you are trying to draw enables you to express that knowledge when you draw what is on the surface. Good artists, then, draw more than what’s on the surface (i.e., what they see). But how deep does “more” go? Continue reading